National Design Guru Day

It’s something that’s long overdue. We need to recognise and celebrate the first generation of Design Gurus, who kick-started the design education in India. What better day to do this, than M P Ranjan’s birthday? Ranjan was a true believer in the power of design. And he would brag about it to anyone who cared to listen.

f-cover-photo_mpr1

Pic Courtesy : Sudhir Sharma

Some of us got together and decided that it’s time we honour our teachers, without whom we would not have any professional standing. The objective is two-fold: To honour and felicitate the role of Design gurus who taught several generations of design students and acknowledge their role. And to remember Ranjan’s birth anniversary as an event to celebrate design teachers. Ranjan was true to his role: loving and giving. He once told me, ” Never miss an opportunity to either educate or learn”. Powerful words that stuck with me.

Today we celebrate Mahendra Patel, the father of Indian Typography. He is winner of several international awards. He is also loved by students around the world for having shared his love for typography. From Baroda to Basel, Pune to Paris, Mahendrabhai has had an impact on students all over the world, where he has taught or learnt.

event-upload-mcp1

For those in India’s National Capital Region, here is an opportunity to acknowledge his contribution to Indian Design education. We are felicitating him at the Sushant School of Design, Gurgaon, Delhi NCR, India and show our love and respect for the Design Guru. It is time.

Advertisements

Women in Design

Today is International Women’s Day.

Women have a way of bringing new nuances to whatever they do. It’s the same in Design. Women designers have brought such richness to the profession in India, that they deserve a mention here.

I was attending the much-admired Pune Design Festival, a few days ago and couldn’t help noticing that the number of women presenters were too few in comparison to male presenters. While lamenting the idea, I couldn’t help noticing that of the lot, two presentations that moved the entire audience for a standing ovation, were made by women.

Kiran Bir Sethi’s ‘ Design For Change’ has brought the sticky idea of using the power of design to empower school children. It has been done with such finesse and detailing that is characteristic of women.141030_800x600

Swati Ramanathan’s Janagraha made a presentation on designing of roads and related systems, that was equally mind-blogging. Using systems thinking, she goes about solving Bangalore city’s vexed problems, which no man would dare getting into. In the process, she takes on the municipality, the road-making mafia, the city’s dwellers, the successive governments, only to emerge successful and triumphant.

swati_ramanathan

The power of women’s thinking is something, we have not leveraged enough in design. In my professional life, I have been influenced by many women and their work. Fortunately for me, my profession has a lot of women, who bring about an influence in my work, that is distinct and different. I want to mention a few, whose work I have admired.

Nilam Iyer, one of my early teachers in Design, who introduced the idea of using product design, to better the quality of life of artisans. She used design as a means to bring change. She also drilled into me, the uncompromising need for precision and quality.

Nilam Iyer

Rashmi Korjan, who partnered with Grishma Dave to start the first-ever, all-women, design firm has also influenced my professional attitude. She helped me tackle everything with humour, a life skill that is so required to survive in the profession. And when she went after the government with Vision First, I learnt how to be tenacious.

Jaya Jaitley, President of the Dastkari Haat Samiti, with whom I have done several design projects, has also influenced my work. I learnt another life-skill from her: grace. To be graceful in giving people their due.

Jaya and me

Women have a way of influencing you with new ideas and pioneering new concepts. Aditi Ranjan is the true-blue design educator. Neelam Chhiber introduced the idea of social entrepreneurship, through Design. Poonam Bir Kasturi believed in the power of the common man to usher change. Her Daily dump is  good example of Design democracy. Jyoti Thapa influenced the media and business, through graphic design. Kripa Ananthan, got into automobile design to design the toughest cars in the market. Sujata Keshavan Guha, was audacious enough to go global with her work. Akila Seshasayee challenged the status quo, when it came to graphic design.  Suhasini Paul is pioneering the profession of Toy Design. Ragini Brar is a pioneer in educating children through 3D animation.

Maria José Barney, Carol Wills, Jolly Rohatgi, Julie George, all believers of Design, nurture the design projects, although they are not designers themselves.

Many, many women have taken to teaching design and continuing to inspire the students. Many toil in remote villages to give artisans the power of design.

So many to acknowledge, so many to thank for.

Thanks to all the women in my profession. You are all so integral and important to the profession’s advancement. You bring joy!

Padma awards for Design

Today’s list of Padma awards are out and there is no designer, still, in the list. I blogged about this, last year as well. The government finds it fit to recognise Ajay Devgn’s work as worthy of an award but not any of the design stalwarts, who used design to bring about long-lasting changes in society and the profession. To provoke a discussion on the subject, I present here, my list of Padma awards, deserving for design. This is of course, only the beginning. There may many more that I may have missed.

H Kumar Vyas, Design Educator, Ahmedabad kumarvyasH Kumar Vyas deserves a Padma award for pioneering Design education in this country and giving a distinct Indian touch to the curriculum that was launched at NID, when the design programmes began. He continues to influence and contribute to design education, through his books and research.

M P Ranjan : Design thinker, Ahmedabad

imagesRanjan’s contribution to spearheading the cause of design is well-known. He deserved this even, when he was alive, as he had the audacity to project Design thinking as a tool for solving all the country’s problems. A believer of the power of Design, he truly deserved to be recognised for his contribution.

Poonam Bir Kasturi, Daily Dump, Bangalore:

NH-dailydump_ART_GA_148659ePoonam deserves to be in this list, for making Swachch Bharat, her mission, even before the PM did. And chose to use Design thinking to develop an entire eco-system for waste management. She is a firm believer in the power of design to effect change.

David Abraham & Rakesh Thakore: Fashion Designers

images-2

Long before NIFT was even conceived and even before fashion design became a household name, David & Rakesh, early graduates of NID, set up their studio to do path-breaking work in bringing Design to the people. They set up Abraham & Thakore and the label grew up to become the epitome of international fashion with Indian sensibilities.

Surya Vanka: UX Leader, Microsoft, Seattle

11659425_10153920049279692_5201527207962655070_n

Academically brilliant and suave, Surya deserves to be in this list for the fact that he rose in the ranks of Microsoft, to become the head of User experience, in Seattle. UX may now seem like  fashionable term, but Surya had pioneered in this much before anyone else, from India.

Geetha Narayanan: Srishti School of Art, Design & Technology, Bangalore

Fellows_Profile_0000_Geetha

Geetha’s vision to create an alternative school of thought in design education is legendary. She broke out of the NID mould of design education, yet retaining the essence of a fresh and bold new pedagogy. She has been singularly responsible for bringing a fresh load of talent to the design pool.

Kiran Bir Sethi: Design for Change, Ahmedabad, India.

141030_800x600

Kiran’s Design for Change is a much-written about process of empowering school children to solve their own problems. That this idea, panned out to different schools all over the world is also well-known. That she believes in the power of Design and leveraged it with school-children, make her a candidate for the award, too.

Jaya Jaitly, Dastkari Haat Samiti, New Delhi:

JAYA JETLY,SAMATHA PARTY - EXPRESS/P JAWAHAR

Jaya Jaitly should be credited with believing in the power of design to restore and rejuvenate Indian handicrafts. Whether it is introducing typography to artisans, or teaching them colour schemes and encouraging artisans to use design to further their crafts, Jaya managed to leverage design for Craft design.

There are obviously, many more who deserve the awards. It’s high time the government woke up to recognising designer’s contribution. Next January, perhaps?

 

Onus is on us.

The passing away of our beloved guru, MP Ranjan and the subsequent outpour of grief and memories by the entire design fraternity across the country in Mumbai, Delhi, Bangalore, Dehradun, Hyderabad and Pune, has shaken us all from our stupor. For far too long we have been stuck in our circles, doing our bread-and -butter stuff and were happy to cheer Ranjan doing all those things for the profession at large.


11218214_10153045713462546_6627001882492171126_n

Photo Credit: Krity Gera

Now that he is gone, the onus is on us, the design community, to take his quest forward.

Ranjan’s legacy needs to be perpetuated and it can be done in a variety of ways. Here’s a rough-cut of several ideas that have been discussed by many of the peers and any or all of these need to be done:

Shoot, Present, Repeat: Documentation of all the good work done in the past, should be documented and shared. This will lead to not just a compilation, but can also be the beginning of Ranjan’s dream book on “Alternate History of Design in India”

Connect with the Peers: We need several formats of connecting for design. Pehcha-Kucha of presentations, Youtube videos, TEDx talks on transformative work done. Or have meetings under a tree.

Publish, or Perish: We need to publish: blogs, articles, columns, magazines, wherever possible. On Design. We don’t have Ranjan anymore to do this for us.

Educate or Learn : Ranjan was always ready to teach or learn. How about imbibing this? Can we all decide to give back to Design by allocating some time to teach?

Celebrate: Can we institute an award in his name? For the best design teacher? Or for design evangelism? Or for anything else that he stood for? Can we have a ‘Ranjan Festival?’

Showing Compassion: Ranjan was the one of the most compassionate designers I have met. Always giving. A scholarship in his name and memory will help perpetuate it.

These are some of the rough ideas. Let’s not wait to perfect these ideas. Let’s begin.

The onus is on us.

And the award goes to..

Last week ended with a design-award ceremony. Not for designers or designed products. There was a ranking of institutions teaching design in India, and the representatives were awarded and felicitated by MediaDesignEdu.com.

Screen shot 2015-05-12 at 11.06.35 PM

Screen shot 2015-05-12 at 9.53.15 PM

The people behind the awards and the jury that selected them are not known. The site itself is a website that clearly promotes private design institutions.

This is not to mock the awards. Any serious attempt to give a ranking to institutions should be welcomed, in the interests of students aspiring to get there. But if the criteria is not clear and 9 institutes, all big names, (of which seven are in the private sector), share five of the top awards, it seems like an amateur attempt at ranking.

Even by its own admission, the website had 84 award categories, which were won and shared by 50 institutes. Some institutes won multiple awards, since there are only limited number of schools teaching design.

Even a cursory scrutiny will reveal unexplained anomalies. While Pearl Academy, Delhi gets the national ranking of 2 and NIFT, Delhi is in 4th position, their ranks change in the Northern region awards. NIFT Delhi gets 1st position and Pearl is pushed to the 2nd position!

Screen shot 2015-05-12 at 10.13.05 PM

The omissions of some popular and reknown institutes are glaring. IDC at IIT Bombay and IIT-Delhi’s  and SPA’s Industrial Design Programme are not present in any category . IICD, Jaipur, a reputed craft design institute, IIT Guwahati, IIT Kanpur are also notable omissions.

Some awards are questionable.NID’s robust Product design programme is apparently not worth considering over DSK and other private colleges.

Screen shot 2015-05-12 at 10.22.27 PM

There is no doubt, there is a need for such a ranking but the methodology should be made public and the criteria announced in advance. The evaluating jury should be announced, too.

This was one of the jobs of the India Design Council and I am not sure why it is dragging it’s feet to do an evaluation and ranking.

This is the admission season, when I get calls from harassed parents and aspirants about how to choose one school over another. Is Srishti good for Product design? Is DSK worth the expenses? Is MIT better than Symbiosis? A transparent ranking is sure to help. It puts them in their place.

In the absence of that, here is a check-list of criteria to consider, before you choose:

  • How reputed is the institute?
  • How successful are their alumni?
  • Does the institute have respect within the design community?
  • Are their programmes current and relevant?
  • Do they have good faculty?
  • Do they have faculty?
  • What facilities are present and how updated are these?
  • How well-connected are they with the industry and other organisations?
  • Are fancy buildings and labs tom-tommed, instead of decent faculty and programmes?
  • Do they have a placement programme?

Do your home work.

Ask, ascertain, inquire, request, search, research, seek out, google, do everything in your capacity to find out.

This way, you may or may not win any awards, but you will certainly be rewarded with an excellent career in design.

Back to the future of Design

I was involved in two totally unconnected events this week : One was judging a 3D student design challenge for Autodesk and the other, I was an invitee to a presentation and panel discussion by Pearl Academy.

Both were, coincidentally on the future of design.

The Autodesk 3D Student Design Challenge , with the tagline: The Future is Now, was a competition on designing a future-ready bicycle for public use. I was invited to judge the North and Eastern regional rounds. Participants were predominantly from prominent engineering colleges.

IMG_20141121_130733

The concepts scored high on material, fit, strength, manufacturability and modelling. But it ranked low in usability, convenience, sustainability, service design models and safety. All of which are the core strengths of a designer. Engineers focus on thing-to-thing relationships in product development, so much so, that they forget the thing-to-people relationship. What was missing was imaginative ideas that questioned the status quo. This is not a comment on the organiser or the students. It shows how design is taught in engineering colleges in India. Engineers in India need a crash course on empathy. A small workshop in creativity. And work on a project using design thinking. That’s the way to go into the future.

Design needs to be urgently plugged into all programmes in Engineering and Technology courses in the future. The future will be unforgiving if they ignore it.

The second event was Pearl Academy’s presentation on “What’s Next”, was an enjoyable evening where academics and businesses presented and discussed the future of design.

DSC_0270

Pic Courtesy: Shivani Thakur

A fine initiative by Pearl Academy, that is poised for growth and expansion in the field of Design education. Four fine presentations by Prof M P Ranjan, Design thinker and academic, Suresh Sethi of Whirlpool, David Hyer of The Gap and Madhav Raman, Urban architect, all stalwarts in their own domains, set the tone for discussion. This was followed by a presentation by the CEO Sharad Mehra’s dream and vision to build the academy and venture it into newer areas in design, including online programmes. What was most interesting is that Pearl is evolving from a commercial, fashion institute catering to the elite to a large academy with new schools, catering to a larger audience with different mindsets, requirements and priorities. Their tectonic shift from showcasing fluff and fashion in fashion shows to publishing and releasing a book of socially-relevant, inclusive, imaginative projects for the marginalized and the disabled is significant. They are realizing and responding to the value Design can bring to society at large and not just big businesses.

Design itself is also evolving from being a mere form-giving activity. It is morphing into service design, strategy design and business design making this a core subject that plugs into all domains.

I believe that the future of design is all pervading. It has to cater to all sectors of the economy. The divisions and specializations are blurring. The world is shrinking and one can no more afford to work in silos. School and professional education has to be enriched with design thinking.

Designers will be expected to take on leadership roles and have to become more disruptive, responsible and inclusive. They should learn to cultivate empathy to cater to the last individual. Sustainability will become the mantra for the future of design. Imagination will become paramount and creativity will be the key to solving world’s problems.

To remain significant in the future, educational institutions will have to focus on creating this talent. Find new ways of delivery. Go online. Make students collaborate. Be geography-agnostic.

Or else, be prepared to become history.

Ministry of Design, Mr Modi?

Dear Prime Minister,

Your landslide victory in the elections and your swearing-in as the new Prime Minister has given the vast majority of Indians, the audacity of hope.

It is now clear to all that you believe in change. If there is one profession that can match up to that belief, it is the profession of Design. We believe in change, too and often question the status quo, just the way you have done.

Having been in Gujarat, home to NID, the oldest and the most prestigious design institute of this country, you are probably aware already, what design can do. Having allocated land in Gandhinagar for NID’s PG campus, you have already done your bit for Design as the Chief Minister of Gujarat.

thumbnail_1356780844

But, now, as PM, your canvas is larger. The expectations are mounting and so are the problems. I want to draw your attention to do something dramatic, as is expected of you. Please create a new ministry: Ministry of Design.

The Ministry can be the think-tank, you need that will kickstart design thinking for governance. You need design thinking across all the 230 sectors of the economy. Take for instance, primary education. The Pearson report on education says that Technology can provide new pathways into adult education, particularly in the developing world, but is no panacea. There is little evidence that technology alone helps individuals actually develop new skills.” So, I hope you will not fall for the free laptop or cheap tablet phenomenon and focus on training our children, new skills like Leadership, Critical thinking, Problem solving and team-working, which will help them become global citizens.

Introducing ‘Design Thinking’ at school-level prepares them for the world and this has been amply proved by the ‘Design for Change‘, a program that germinated in Ahmedabad and is empowering children world over with creative confidence.

We all are aware of your concerns for Energy, Water, Transport, Health and the Environment. Do you also know that there are projects big and small, done by designers that attempt to solve problems in a systemic way? Whether it is the d*light project of lamps for the common man or the Daily Dump‘s project in home-composting, these are enough to convince you that design needs to get it’s due.

dailydump

You need to also look at the great Indian resource of hand-made crafts. For decades, designers have been working with artisans,from Kutch to Katlamaran, Srinagar to Chennapatna not only to make beautiful products, but also make them economically independent and socially acceptable. The pride you have for all-things Indian, will come to the fore, I promise.

DSC_0951

Does this mean, you need to start more design institutes? Maybe, not, Mr Modi. I hope you have the time to familiarise yourself with the VISION FIRST think-tank that demonstrated the need to embed design across sectors. We need more nimble, small design centres envisioned as part of existing schools, colleges and institutions.

I hope you would empower the India Design Council to take this agenda forward. And make design accessible to all. You may want to make it more outward-looking and create an agenda, beyond superficiality.
The Ministry of Design can be the agent of change that you want to see. And you can count on the design community to join you in this cause.